No more nightmares.

CANVAS-Karapatan

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I’ll be part of this year’s CANVAS Looking for Juan outdoor banner project. The topic, human rights, is a pertinent matter in our country right now, God help us all.

My fellow Ang INK members and I made pieces specifically about children’s rights. Mine is about the child’s right to rehabilitation.

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A peek of my work and the mess. It’s been such a long time since I’ve painted an acrylic piece this big, and there was definitely a strong sense of fulfillment after I finished it and delivered it to the gallery. I enjoyed the process a lot, though, and I hope to learn more about painting bigger pieces in this medium.

The project and exhibits open on June 20. The banners will be installed in around the UP Diliman oval.


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View photos from the opening reception of Camouflage and Wanderlust here.

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My work, Long Way From Home, is also available to purchase as prints from the Light Grey Art Lab online shop. The original artwork is 9×12 inches, handmade watercolor on cold press paper.

Underwater is the best place to swim.

I have a few small paintings for sale. These are A6 in size, roughly 4x6in, and are all watercolor works on handmade paper (Khadi paper). Send a message if you’re interested!

 

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I have also added some old and new-ish projects on my portfolio site. The latest one shows the biology posters I made for the Masungi Georeserve. I learned so much from the project, and although I had to work through last year’s holiday season, I enjoyed it very much.

FranAlvarez-Masungi-Birds_posterView more posters and learn more about the project here.


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I’ll be part of Light Grey Art Lab’s Camouflage exhibit, which opens on the 26th. I really wish I could go, because it opens alongside other nature-themed exhibit, and one of my inspirations Kelsey Oseid is going to have a show up! If you’re in the Minneapolis area, or will be during that time, do drop by and take some pictures, then show me~


Keeping myself productive and busy helps a lot with the anxiety. I’ve figured that personally, I feel more at ease at the end of the day when I know I’ve finished something (ANYTHING). As much as I can, I try to accomplish even really small tasks before going to bed. It could be something for work, or other things that aren’t really as urgent like writing a journal entry, mopping the room once, or labeling emails.

I’m also very thankful to be surrounded by supportive and level-headed individuals every day, at work and at home. It really helps me put things in perspective, and keeps me focused.

Sometimes it’s hard not to be affected by the world going haywire. I guess it’s good training for keeping your head above water, and for trying hard to make things better along with the rest of the population despite everything. Some days the silver lining’s there, some days you have to draw it yourself.

The making of.

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Agustin Goy opened his exhibit at the National Museum last January 19.

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Some pieces from his Ballerines exhibit from a few years ago.
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Watercolor pieces with amazing detail and lighting technique!

nbnh-2017-11_zpsisf5v0y41Abi with her portrait

nbnh-2017-12_zpsv2iopgl8Studio Dialogo with Papa Goy. Cheers!

I can’t wrap my head around sixty years of making art. I mean, I’m only 28 and I’m constantly tired, so this is very humbling for me. Sixty years of painting and drawing and hardwork that ultimately shows in the quality of the pieces he’s done over the years. He has also apprenticed under the great Vicente Manansala! I’m proud that the country has artists like him. I hope I grow up to be someone as persevering in whatever field I may end up working in for the rest of my days, art-related or not. At one point during the opening I started to think about the next sixty years of life until I got antsy about the possibilities. I love what I do but the future scares me a lot these days, so I’ll have to leave the future to take care of itself / me / us.

Agustin Goy: Sixty Years in Art runs until March 19 at the National Museum (Old Legistlative Building).


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Graphika Manila also happened this month. It was a 2-day event featuring designers, artists, and illustrators from different corners of our lovely world. Pictured above, Jonathan Kim from Rare Volume, one of my favorite speakers from the event.

They make interactive data visualization pieces which are super cool. He talked about the importance of collaboration and making experiments with people who do entirely different things from you. I could just imagine how much testing and research goes into their kind of work. It’s also pretty amazing how they can push technology like that. What a time to be alive.

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Gary Baseman was also there to show us his sketches, and share concepts behind some of his exhibits and paintings. He talked about his family background, heritage, memory, loss, and displacement. His talk had a very different tone from the rest of the speakers because his was the most personal, I think, and profound in a way.

On the second day my favorites were Avid Liongoren who talked about Saving Sally and everything his team learned from making the film, and Mr. Bingo, his full-production Kickstarter intro rap video, and his love for hate mail. I liked most of this year’s speakers, and in general this year’s GM was alright.

Although~ The biggest disappointment was how the host went about the event, and why the management allowed it. It was like she didn’t take the industry seriously enough to prioritize asking relevant questions to the speakers, instead of asking them to dance, rap, what their shampoo of choice is, or which sports teams they like. Most of the very few questions that were asked every after speaker were insignificant, which I am only feeling frustrated about because there were only what, two, three questions that were entertained every after speaker. This has happened before, too, when this guy took one of the precious two Q&A spots for the Sagmeister talk to just ask the designer to sign his girlfriend’s book in public.

And we wonder why a lot of people don’t take design seriously in this country.

I have a lot of strong feelings about constantly presenting design in a gimmicky noontime show way. Some people enjoy it, sure, inevitably so. I mean, we’re in the Philippines. Fun times are fun (fun times sell~~~ hello elephant in the room), and play is an integral part of creativity, but I think education, insight, and discourse should be at the forefront of these conferences, not entertainment. Right now, it’s the only conference of its kind and of that scale, with the capacity to bring in international speakers and all. People (students!) shell out money and spend a whole weekend at the event, and I they deserve something more. I really hope to see improvements in the future.



The Sunday Currently, no. 4

Reading
Just finished After Lambana (Eliza Victoria, Mervin Malonzo, published by Visprint). I enjoyed it and I’m happy I bought it. Please read more local graphic novels!  On a different note, my copy had badly printed pages towards the end. I wonder if I can get it replaced?

Also my Twitter feed is bursting at the seams with current events. My country’s president is still one of the worst there is right now, and it gives me real anxiety just thinking about how his words affect the country every time he opens his mouth. I can’t keep up with everything. Also, as for foreign news, my heart goes out to everyone stuck in the airports due to the immigration ban, and applause for all the lawyers camping out there, offering their services pro bono to help all those people.

Listening
La La Land’s score. I like the score, shush.

Watching
Just finished Chunking Express, Wong Kar Wai, one of my comfort films.

Loving
My sister, because she turned 18 this past week!  For the past 18 years, me and my family have never known anything that will be for certain because of her condition (she has brain nerve damage), and it’s been quite a journey for us all. Every year added is a very special gift that we are tremendously grateful for.

Aside from that, nothing. All my feelings towards anything else are desaturated because it’s that time of the month, and all my energies are focused on fighting abdominal pain and a ton of discomfort.

Needing
To catch up on news even though it hurts huhu. Wrap up drawing assignments and replying to emails.

Wanting
To do something about the chaos but what???

Feeling
Alright, okay.

The Sunday Currently is by Sidda Thonton

Hide and seek

I turned one of last year’s personal projects into a zine.

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Ladies in Jeepneys is an illustrated zine featuring the different women, girls, females that I encounter everyday during my commute. I am very much inspired by how women carry themselves in the haggard environment of reckless jeepneys and Manila chaos. It’s part homage, part diary, part documentation.

Ladies in Jeepneys, volume 1 will debut in all its full-color glory this coming Saturday, August 6, at the Komikon Indieket. It’s going to be at the Bayanihan Center along Pioneer St. in Kapitolyo, Pasig. I’ll be with my amazing friend Yas Doctor who’s also launching her Sari-Sari Project zine. See you at table P07!


IN OTHER NEWS, amidst all the CRAZIES the Philippines is going through,  I’ve meant so much to write about the past AFCC, to no avail because I’m still catching up on deadlines! I’m currently working on a picture book, my Ang INK 25th anniv show artwork, a couple other freelance illustration  projects, and my day job! It’s crazy and very challenging. Some days are great, some frustrating, but ultimately I couldn’t be any more grateful that I can draw and design everyday.

And so we grind on~ See you around, friends!

ITH, part 2

ITH, part 1 here

I was in line to be interviewed at the US embassy last year for my visa, and this guy behind me and I chatted a bit. He was from New Zealand, currently a student from Columbia. When he saw I was headed to Cornell, he told me that Cornell had the highest rate of suicide incidents across the Ivy League schools. I remember being told about this when I got to Ithaca also, along with warnings of how the winters got very, very cold.

Coming from a busier place like Manila, I found Ithaca relatively much smaller and also kind of secluded especially if you don’t have a car. Also, I could only imagine how much pressure there is on the students to stay and excel in such a prestigious institution. People traveling from all over the world, a lot of them with only one shot at it. Like me, I guess, on some level. I admit that this is something that added to my constant nervousness during the first part of my stay there. It was a great experience to share my art for conservation and to learn, and I was so happy to be there, but I also knew I only had one shot at it. I couldn’t disappoint. I had to nail it. It’s like seeing how beautiful the gorges and riverside trails on campus were, then you notice that the bridges all have nets around them.

I arrived in the summer, and the Ithaca I met was this sunny city with stunning trails and parks and lakes and gorges. The flowers and vegetables were thriving full on; I felt so ignorant and slightly shamed because I’ve been staying in the metropolis all of my life. Birds in all colors: the blue jay, red northern cardinal, bright yellow goldfinches. Also, since it was a college town, Ithaca is progressive in its own way. Highly intellectual, but also weird and dorky.

I had been very homesick and tried to hide away during the first days, just because it was tiring to be a stranger and be on my toes constantly. Then I saw that the city quietly had its arms opened wide to me all along. The sun and birds. All the people I met who turned into friends. The kindness of strangers who taught me how to be myself, do my thing, relax, ask for help, and above all, have a lot of damn fun. Despite my nervousness and the pressure of doing good work, despite the nets under the bridges, despite the impending winter. Everything was special and important, but nothing was too precious, and that was perfectly fine.

And so. Last couple of things before the photos:
a) I did learn a ton of things, and I keep thinking of how Ithaca taught me this and that, but then I think it was more about encouragement than education. It  wasn’t “This is how things are. Do it this way and it’ll work out.” but more like “Gurl, we believe in you! Do your thaaang, we got your back.”

b) It only snowed for a total of 3 days while I was there. Heh.

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Continue reading “ITH, part 2”

ITH, part 1

I know I haven’t posted in such a long time, not once since life tossed me into the past few months’ adventure that was my internship at the Cornell Lab of Ornithology. The internship ran from the end of July until just right before Christmas, and it was A BLAST, to say the least.

I always find it overwhelming every time I try to write about my experience, mostly because I can’t figure out where to start. I am still kind of getting used to not being in Ithaca, going about my routine and all. AKA still getting used to being on vacation, at least for the most part, because I still do have some deadlines and things. It really does feel strange, especially because my project ended so abruptly, and then the holidays were suddenly upon us. After all the months of drawing everyday, it’s only now that I’m starting to slowly settle down.

Well. I’m not sure I want to wait for the high of it all to wear off before I start sharing, so even without all the words, I thought I’d maybe share last year’s biggest adventure through the photos I collected since July. Looking through everything I saw that although my stay in Ithaca was mainly because of my internship, the picture book, the conservation efforts for the Philippine Eagle, most of what actually happened were about so much more than work.

For me, the work part was what I was actually prepared for. I had a portfolio for drawing, I applied for the internship knowingly. But what did I know about suddenly being in this completely new place at the other side of the world, with people I didn’t know, whose culture I had to figure out? Nooooot much.

These were the in-between moments that have made this chapter of my life bear much more weight than just being something about work. These are those people and those places and those days that pulled me out of my head and taught me that sometimes, things fall into their places if you let them land where they ought to.

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Continue reading “ITH, part 1”

National Children’s Book Day Blog Tour, Week 3: Wish List

Here we go for the last NCBD blog tour post! One big pahabol.

Before anything, ongoing RIGHT NOW at the Ateneo de Manila Rizal Library Rooftop is the NCBD Book Fair! Lots of fun activities, so drop by and join in on the celebration. Ang Ilustrador ng Kabataan’s and Adarna House’s “Alterno” exhibit is also there, so check it out if you didn’t get to catch it at Shang before. The book fair is until 5, you can still catch up!

This week’s theme is:

Hulyo 20 – 25: Wish List
Anong Pilipinong aklat pambata o pangkabataan ang gusto mong mailimbag?
(Maaaring paksa, uri ng aklat, o ng isang manunulat o ilustrador. Maaaring maglista nang higit sa isa pa.)

July 20 – 25: Wish List
What Philippine children’s or YA book do you want to get published?
(You can name a topic, kind of book, or something by particular authors or illustrators.
You can list more than one.)

I joined the Barlaya workshop by Adarna House earlier this year and really had fun exploring and imagining the different kinds of books that we can make. So many possibilities! Of course, there are a lot of things to consider when publishing a book that kind of dictate which books get published and which don’t. Cost of production, purchasing power of the market, etc. However, it’s really fun to just explore the possible ideas, and thinking of potential books without boundaries.

1. Wordless big books for storytelling 
It’s an idea I’ve had for mother tongue books. Maybe we can have wordless picture books that the teachers, parents, or whoever’s telling the story to a group can translate verbally. In this way, a single version of the book can be used in different places that use different dialects. The story proper can be written somewhere else in the book, to be reviewed first by whoever’s telling the story, but it would be up to the storytellers to translate the text to their respective dialects while performing.

2. Illustrated young adult books
One of my pegs is Why We Broke Up (Daniel Handler, Maira Kalman). I like how it’s highly illustrated, and that the style of the drawings contribute so much to the personality of the characters, as well as to the tone of the story. I’d love to work on one myself. More graphic novels would be very nice also. From what I observe in our local children’s illustrators like Ang Ilustrador ng Kabataan members, a lot of them have so much potential to create work outside of children’s books, and it would be nice to tap that.

2.a Wordless YA graphic novels
Why not? I’ve been mulling about starting something similar with my illustrator friends, but on a different format. A book version would be very nice as well.

3 Illustrated poetry anthology
Not just spot illustrations. I imagine a book that plays with all of the pages. Full color. Spread illustrations. Playful typography that matches the poems. I’m not sure how it’ll work but I’m thinking that going about different ways of presenting (via their production quality) poetry books would be more inviting.

4. My personal author wish list
HEHEHE. As an illustrator, I’d love to work on books with some of my personal favorite writers like Russell Molina and Eliza Victoria, to name a few. I have a lot more on my list and I hope to be able to work with them someday!

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Happy National Children’s Book Day everyone! Give a kid a book to read today, you’ll never know where it’ll take them. : )

Also, again, the NCBD Fair is today at the Ateneo de Manila Rizal Library rooftop! Go go, you can still make it!