Agustin Goy opened his exhibit at the National Museum last January 19.
Some pieces from his Ballerines exhibit from a few years ago.
Watercolor pieces with amazing detail and lighting technique!
Abi with her portrait
Studio Dialogo with Papa Goy. Cheers!
I can’t wrap my head around sixty years of making art. I mean, I’m only 28 and I’m constantly tired, so this is very humbling for me. Sixty years of painting and drawing and hardwork that ultimately shows in the quality of the pieces he’s done over the years. He has also apprenticed under the great Vicente Manansala! I’m proud that the country has artists like him. I hope I grow up to be someone as persevering in whatever field I may end up working in for the rest of my days, art-related or not. At one point during the opening I started to think about the next sixty years of life until I got antsy about the possibilities. I love what I do but the future scares me a lot these days, so I’ll have to leave the future to take care of itself / me / us.
Agustin Goy: Sixty Years in Art runs until March 19 at the National Museum (Old Legistlative Building).
Graphika Manila also happened this month. It was a 2-day event featuring designers, artists, and illustrators from different corners of our lovely world. Pictured above, Jonathan Kim from Rare Volume, one of my favorite speakers from the event.
They make interactive data visualization pieces which are super cool. He talked about the importance of collaboration and making experiments with people who do entirely different things from you. I could just imagine how much testing and research goes into their kind of work. It’s also pretty amazing how they can push technology like that. What a time to be alive.
Gary Baseman was also there to show us his sketches, and share concepts behind some of his exhibits and paintings. He talked about his family background, heritage, memory, loss, and displacement. His talk had a very different tone from the rest of the speakers because his was the most personal, I think, and profound in a way.
On the second day my favorites were Avid Liongoren who talked about Saving Sally and everything his team learned from making the film, and Mr. Bingo, his full-production Kickstarter intro rap video, and his love for hate mail. I liked most of this year’s speakers, and in general this year’s GM was alright.
Although~ The biggest disappointment was how the host went about the event, and why the management allowed it. It was like she didn’t take the industry seriously enough to prioritize asking relevant questions to the speakers, instead of asking them to dance, rap, what their shampoo of choice is, or which sports teams they like. Most of the very few questions that were asked every after speaker were insignificant, which I am only feeling frustrated about because there were only what, two, three questions that were entertained every after speaker. This has happened before, too, when this guy took one of the precious two Q&A spots for the Sagmeister talk to just ask the designer to sign his girlfriend’s book in public.
And we wonder why a lot of people don’t take design seriously in this country.
I have a lot of strong feelings about constantly presenting design in a gimmicky noontime show way. Some people enjoy it, sure, inevitably so. I mean, we’re in the Philippines. Fun times are fun (fun times sell~~~ hello elephant in the room), and play is an integral part of creativity, but I think education, insight, and discourse should be at the forefront of these conferences, not entertainment. Right now, it’s the only conference of its kind and of that scale, with the capacity to bring in international speakers and all. People (students!) shell out money and spend a whole weekend at the event, and I they deserve something more. I really hope to see improvements in the future.
The Sunday Currently, no. 4
Just finished After Lambana (Eliza Victoria, Mervin Malonzo, published by Visprint). I enjoyed it and I’m happy I bought it. Please read more local graphic novels! On a different note, my copy had badly printed pages towards the end. I wonder if I can get it replaced?
Also my Twitter feed is bursting at the seams with current events. My country’s president is still one of the worst there is right now, and it gives me real anxiety just thinking about how his words affect the country every time he opens his mouth. I can’t keep up with everything. Also, as for foreign news, my heart goes out to everyone stuck in the airports due to the immigration ban, and applause for all the lawyers camping out there, offering their services pro bono to help all those people.
La La Land’s score. I like the score, shush.
Just finished Chunking Express, Wong Kar Wai, one of my comfort films.
My sister, because she turned 18 this past week! For the past 18 years, me and my family have never known anything that will be for certain because of her condition (she has brain nerve damage), and it’s been quite a journey for us all. Every year added is a very special gift that we are tremendously grateful for.
Aside from that, nothing. All my feelings towards anything else are desaturated because it’s that time of the month, and all my energies are focused on fighting abdominal pain and a ton of discomfort.
To catch up on news even though it hurts huhu. Wrap up drawing assignments and replying to emails.
To do something about the chaos but what???
The Sunday Currently is by Sidda Thonton